Prime has a new fantasy series, The Rise of Merlin, based on Stephen Lawhead’s Arthurian novels. As someone who has read the books, I wasn’t quite sure what to expect.
I have mixed feelings about Lawhead’s trilogy. The first two books are strong, offering an interesting take on the Arthurian legend that blends history, mythology and spirituality in a way that feels distinctive. However, I’ve always felt the final book was a disappointment. It seemed rushed, as though the story was racing towards the finish line rather than letting events unfold naturally. It didn’t ruin the series, but it certainly took some of the shine off what had come before.
Perhaps because of that, Bernard Cornwell’s The Warlord Chronicles has always been my favourite retelling of the Arthurian legend. For me, it’s superior in almost every respect. The characters feel more authentic, the Britain of the period is vividly realised, and Arthur himself is portrayed as a believable war leader rather than a mythical king. Cornwell strikes the perfect balance between history and legend, creating what I still consider the definitive Arthurian trilogy.
Which makes it all the more frustrating that when The Warlord Chronicles was adapted for television, it was such a disappointment. I rarely give up on a series after a single episode—I usually believe every show deserves a fair chance to find its feet—but this one completely failed to capture the spirit of the novels. It lacked the atmosphere, the depth and the compelling characters that made the books so memorable. I never made it past episode one.
That brings me back to The Rise of Merlin. While it isn’t going to challenge the likes of Game of Thrones or, for me, the classic Robin of Sherwood, it’s actually… rather good.
I was pleasantly surprised. Yes, the story is condensed, as adaptations often have to be, and inevitably some detail is lost. But it captures the essence of Lawhead’s work far better than I expected. The performances are solid, the pacing works well enough, and the world feels believable. More importantly, it remembers that Arthurian stories should have a sense of mystery and wonder alongside the political intrigue.
So I’m left in the slightly odd position of being mildly annoyed that the weaker book series has received the stronger television adaptation. Cornwell’s novels deserved this level of care and attention, yet it’s Lawhead’s work that seems to have benefited from it.
Still, I’m enjoying it more than I expected. In summary, mediocre but watchable. For me, it is the excitement of seeing people and parts of legend that don’t often get shown on mainstream media. Cernunnos, for example – Taliesin for another!
I’ll definitely be sticking with it to see where it goes.
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The far side of the moon Is not dark, actually It is illuminated by the madness Of tortured talent Contemplating time and money And impending death Singing into the sky
Anxiety starts at the foot of my bed Beyond the impenetrable shield of the duvet Out there, where things matter The weight of the world awaits Only heroes and fools venture beyond
Against the backdrop of the stars In floats Frozen Preserved A book One day Alien eyes might find it Decode it Understand it Learn about the world That discarded such things And why it died
What madness is this? Words on a mind Defining words Enclosing words Words as chains of judgement Knowledge from the past That’s creeping back Like a disease
Some people race through life Like expensive speedboats Churning everything behind them And making a splash Others sail serenely by Barely making a ripple In the end, all wakes are erased By the waves of time
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I take comfort In home In family In security In peace In friends In dependability So anyone espousing policies Defending these Is desperate and suspicious
Dragged up from the bottom Into the higher echelons Dizzy from the height Uncomfortable Not belonging But unable to return The bottom looks like hell From this height
The time between times When worlds merge We see with different eyes Secrets from the other side Shadows and whispers That excites our nerves As we glimpse other potentials
It heals division And prevents it It is a beacon through chaos The steady hand through the storm It is the fire that warms The nurturer of life It is free In demand Scarce for no reason The toppler of tyrants The dissipator of destruction What is this wondrous mystery?
The distant friction of cars passing Fading away, as traffic dwindled Like light seeping away in the sunset Soon, the last one will pass And the world will be left alone In peace and healing
The skin is thin The father, the worker, the responsible Peel it away And there’s the fear, the weariness, the despair Barely held back Deeper still is the yearning To shed it all To sing and dance and play Without a care
I found it In a box It looked old Yet It was from the future From myself I expected advice Wise words From my older self From a better future Instead it was a request For an apology
There is a God Whose soul is bursting With empathy and compassion Whose very smile is sunlight That blesses the earth Nurtures life and love Whose heartbeat is time itself Whose breath is the breeze that soothes Whose tears feed the Seas
Ice cold water, fresh from the spring Cheese and ham, home reared Earthy vegetables, simple and true An ale Solitude when needed Friendship at hand No clocks, no calendar The sun and leaves a guide The expanse of the stars This, is how freedom tastes
Gazing in awe At the piercing stars Light that reaches the deep Of my heart There is comfort in the night In the soft distance of sounds As the world Sighs There is comfort in the night While you avoid the dawn And what the light will reveal